By Martin Montgomery

ISBN-10: 0203130294

ISBN-13: 9780203130292

ISBN-10: 0203312031

ISBN-13: 9780203312032

ISBN-10: 0415072387

ISBN-13: 9780415072380

An creation to Language and Society explores how our methods of seeing and interesting with the realm will be formed by means of the types, platforms and styles of language. This moment version comprises new fabric on gender, sign up, the speech group, language and subcultures, and language and illustration.

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The child is still at the ‘early’ stage of Table 1 on p. ) 2 → cut it 3 MOTHER: cut what love? ) that (4) 5 mummy 6 MOTHER: um? 7 →CHILD: cut it 8 fatter mum 9 MOTHER: what d’you want? 10 to make it fatter? 11 CHILD: um 12 MOTHER: well its not got very much plasticine 13 here have you? 14 In all of these episodes the child is doing more than describing states of affairs in the world at hand: he is doing more than giving voice to, for example, an action (‘cut’) to be performed on an object (‘plasticine’).

D Quantity relations; QUANTIFIER +ENTITY more melon more glasses more switch another switch two switch E Quality relations; QUALITY/ATTRIBUTE+ENTITY < previous page next page > page_19 pretty boat naughty boy sore botty nice drink big bridge page_19 next page > < previous page page_20 next page > Page 20 Also common during this period are utterances concerned with disappearance (‘juice allgone’, ‘allgone now’), with refusal (‘no play’ meaning ‘I don’t want to play’; ‘no dinner’ meaning ‘I don’t want any dinner’), and with securing attention preparatory to talk or action (‘watch me’, ‘look mummy’).

They provide a key resource, perhaps the only resource, open to the infant for signalling crucial physiological states such as hunger or pain; and as such they seem pitched at a level likely to evoke most disturbance in another human. Initially they may well be purely reflex responses to physiological states; but, if < previous page page_5 next page > < previous page page_6 next page > Page 6 matters are ever that simple, they do not remain so for long. For one thing the different forms of cry often shade into one another.

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