By Howell G M Edwards; Peter Vandenabeele

ISBN-10: 1849731624

ISBN-13: 9781849731621

ISBN-10: 1849732744

ISBN-13: 9781849732741

Content material: creation; half I. ANALYTICAL tools: advent; equipment of Visualisation; Vibrational spectroscopy; X-Ray tools; Nuclear suggestions; tools of separation; Mass spectrometry; Electrochemical thoughts; half II. fabrics: Ceramics and enamels; Glass; Stone; Gemstones/minerals; Obsidian; Pigments and dyes; Icons and work; Metals / corrosion; Biomaterials; Resins, bitumens, tar, coal; Ivory and bones; wooden; Textiles; modern fabrics; half III: QUESTIONS: identity; Authentication; expertise of construction; Provenancing; courting; Degradation and conservation; nutritional reconstruction; precis; Index

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Besides those elementary image correction techniques, there are many other post-processing techniques that can be called upon at a specific stage in a particular imaging workflow: examples are white and black point compensation, smoothing, contrast adjustments, image alignment and mosaicking, lens distortion correction and image deconvolution. In the next sections, we will try to focus on imaging in different parts of the optical electromagnetic spectrum. As this chapter is an introduction to the subject rather than an exhaustive overview, the spectral domains and the imaging tools will be limited to those most commonly used or those that allow getting very decent results with minimal effort and investment.

1 D-SLRs Since the 1990s, much has changed in the photographic world due to the arrival of sophisticated digital still cameras (DSCs) and major advances in computer technology. 33 This section will focus on the use of small format digital single-lens reflex cameras (D-SLRs) as they allow switching lenses, which is certainly important for NUV photography. Notwithstanding this constraint, most principles tackled also hold for other DSC formats and most camera types such as compact point-and-shoot DSCs as well as hybrid/bridge/SLR-like camera models.

60 In these cases, one should also use direct NIR or SWIR imaging, visible-induced NIR fluorescence (Figure 13C), microscopic examination and X-ray examinations (see later). Besides canvas paintings, NUV-induced fluorescence can be used to look at pigments in wall paintings and water-colour paintings or the investigation of dyed textiles. Fluorescence by NUV can also reveal (dyed) varnish layers on gilded part of wooden sculpture or metal sculptures. Additionally, it is applied to verify traces of paint on sculptures or ceramics.

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Analytical Archaeometry by Howell G M Edwards; Peter Vandenabeele

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